Award-winning, multi-Platinum singer-songwriter Jordan Davis presents his highly anticipated new album "Learn the Hard Way".  The album features 17 tracks, including “I Ain’t Sayin’,” “Know You Like That,” and “Bar None.” The new album is the follow up to Davis’ Platinum-selling breakthrough album Bluebird Days, which produced four consecutive No. 1 singles (“What My World Spins Around,” “Tucson Too Late,” “Buy Dirt” and “Next Thing You Know”) and two Song of the Year winning song titles “Next Thing You Know” (ACM) and “Buy Dirt” (CMA and NSAI) off of one album - the first artist in history to ever do that. The single release also comes on the heels of his latest album, Bluebird Days, officially going Platinum, joining his certified Platinum-selling debut album, Home State.

HAIM’s highly anticipated fourth studio album, I quit, will be releasing on June 20th. The 15-track album was written primarily by HAIM and Rostam Batmanglij, with production by Batmanglij and Danielle Haim. The album radiates the raw energy of seasoned performers whose deep reverence for classic rock shapes songs that are built for live performance. The album features follows previously released album tracks “Relationships” and “Everybody’s trying to figure me out,” which were both met with critical praise. Pitchfork noted “what’s that sound? Is it the first song of the summer?” while Vulture raved, “Haim is back… they’re not taking anything too seriously except for the quality of what they put out into the world,” and Stereogum hailed it as, “a return to the sleek genre-hybrid sounds of classic Haim.” I quit is the first new album since the band’s 2020 album Women In Music, Pt. III, which earned them a Brit Award for International Group. Women In Music, Pt. III received two GRAMMY Award nominations, including the prestigious “Album of the Year” recognition. With this nomination, HAIM became the first all-female rock group to be included in the GRAMMY’s top category. Women In Music, Pt. III debuted #1 on the U.S. Album Sales chart, as well as the Rock and Alternative charts and entered at #1 on the UK Album chart.

Addison’s Rae’s debut album Addison will be released on June 6th, 2025 via Columbia Records. The album features previous hits “Diet Pepsi,” “Aquamarine,” and “High Fashion,” plus the recently released “Headphones On.” Addison features 12 tracks and was written and produced by Addison, Luka Kloser and Elvira Anderfjard.

Singer-songwriter-producer Gigi Perez releases her highly anticipated, self-produced debut album, At the Beach, In Every Life. The passionate, poetic, and powerful body of work centers around themes of grief, love, faith and religion. Notably, the album processes the aftermath of losing her beloved sister Celene, immortalized on songs like "Fable," and the love that ultimately helps her through her grief, as heard on the breakout hit, "Sailor Song." Gigi is ready to invite everyone behind the curtain on her debut release.

3LP Clear w/ Pink Swirl, Olive Green, & Single Sided Etched Clear w/ Pink Swirl The Hayley Williams 'FLOWERS for VASES + Petals for Armor Deluxe' is a 3LP which includes a 20 page booklet filled with never before seen photos and diary entries from Hayley. Limited Pressing

Rituals, out May 30th, is the newest full length album from Watchhouse (Andrew Marlin & Emily Frantz). This is the first release of all new, original songs since their 2021 self-titled album, which found the duo embracing a new name and a new chapter for the band. Recorded close to home in 2024 with co-producer Ryan Gustafson (the Dead Tongues), Rituals explores the boundaries between identity and awareness, and how we often confuse our patterns with our truths. The album muses on the endless nature of our evolution, asking questions like: how can we have a positive relationship with change, how can we meet our ends gracefully, and 'is the world on fire or at home in the sun?

Multi-Platinum singer/songwriter Dierks Bentley has your back, dropping the grungy delight “She Hates Me.” Landing somewhere between Whitley and Weezer, the new track features Bentley's patented style of country with a mischievous edge, plus the tongue-twisting story of a girl who is no longer falling for his country-boy charm. “She Hates Me” was penned at a writing camp last spring by Bentley and longtime collaborators Ashley Gorley, Ross Copperman and Chase McGill and falls in line with the spirit of previous hits “Somewhere On A Beach” and “Drunk On A Plane.”   

 

His career has produced eight Number One albums, 22 Number One songs, more than nine billion global streams, plus 15 GRAMMY® nominations and membership in the historic Grand Ole Opry. Beyond that, millions of fans have connected to his songs featuring equal parts energy and emotion, and tastemakers around the nation continue to hail Bentley as one of country’s most authentic entertainers.

Crowe Boys, the New Orleans-based duo made up of brothers Ocie and Wes Crowe, deliver their debut album, Made To Wander. The album features 10 tracks, including "Bootstraps," "Bonfire in My Soul," and "Debris." Crowe Boys' journey to find their own musical identity led to writing "Where Did I Go Wrong," maintaining a positive attitude as they assembled their catalog of original songs. Andrew Campanelli, the drummer for the multiplatinum rock band The Revivalists, soon teamed with the brothers to capture their undeniable dynamic in the studio. Available on sea glass clear translucent vinyl.

The follow up LP to 2024's ‘Flight B741’ and initially recorded during the same sessions, ‘Phantom Island’ sees King Gizzard expanding their sonic landscape to include a full-blown orchestra across its 10 tracks. Blending their signature psych-rock energy with sweeping orchestral arrangements, King Gizz take you on a symphonic journey embroidering their tangles of lysergic riff and melody with strings, horns and woodwind. ‘Phantom Island’ will be supported by a global tour running May through December 2025.

d4vd’s debut album, WITHERED, is one of the most hotly anticipated albums of the year. It completes the story laid out in his 2023 EPs, Petals to Thorns and The Lost Petals, as he continues to articulate a relationship’s ricocheting emotions: the coruscating highs and bleak lows, all set to music that’s intimate, hook-heavy, and refreshingly direct. Created primarily on Bandlab, WITHERED brought d4vd back to the place his music journey began: his sister’s closet, alone with his iPhone. To finish the record, d4vd journeyed to London with a trusted crew of collaborators to create a cohesive, intimate record that’s meant to be listened to sequentially — the songs consumed like chapters — that spotlights his evolution as a deft and dynamic vocalist.

Deluxe version of Kassi Ashton's long-awaited, full-length debut album, Made From The Dirt, now featuring 5 additional tracks, including "Sounds Like Somethin' I'd Say (feat. Parker McCollum)." Made From The Dirt not only showcases Kassi's one-of-a-kind signature style front and center, but it also tells her story so far. She holds nothing back on these ten tracks - from the knockout title track "Made From The Dirt" to the exhale of the finale "Juanita." Spiking her brand of country with rock 'n' roll spirit and unabashed vulnerability, she proudly wears her heart on her sleeve.

Justin Robinson and Rhiannon Giddens are two of the few people from the Black community caretaking Joe Thompson’s family tradition of fiddle and banjo music. For both, their Black banjo bodylands are primarily rooted in the North Carolina Piedmont, where Joe mentored them. The term “Black banjo bodylands” describes the deep connection between banjos, land, and the Black musicians who breathe life into them. Intimate engagements with place, nature, and community around this musical practice are essential to the tradition’s continuation. These bodylands constitute not just the individual player but the traditions, knowledge, and spirit handed down from their musical ancestors. On What Did the Blackbird Say to the Crow, Rhiannon Giddens and Justin Robinson simply chose to bring the places and people—even the season—with them. Heralded by the cawing of American crows, shot through with the round thrumming of periodical cicadas, these recordings represent the music exactly as it is: a particularly engaging piece of a particular place’s rich sonic ecosystem. Giddens and Robinson emphasize place, communication and collaboration in these sound offerings from the North Carolina Piedmont homes of Joe Thompson and Etta Baker and the historic Mill Prong House. This record is not about flashy arrangements, or displays of virtuosity for its own sake. It’s about the relaxed,understated flow that arises at the junction of long friendship, a sense of belonging, and monstrous technical proficiency. We make this music, we make it together, and we make it here. This record refuses to be removed.

Doechii - "Alligator Bites Never Heal" With her GRAMMY Award-winning mixtape "Alligator Bites Never Heal," rapper, singer and visionary artist Doechii delivers 19 tracks following the weekly "Swamp Session" installments that lit the internet on fire with eye-catching visuals and equally compelling bars. The Best Rap Album-winning project, featuring "DENIAL IS A RIVER" and "NISSAN ALTIMA," captures a rare talent in her rawest form yet giving listeners distinct windows into her one-of-a-kind artistry. EXPLICIT

It is with a certain sadness for his fans across mediums that Donald Glover has declared Bando Stone and the New World the last Childish Gambino album. The ostensible soundtrack to a feature-length movie of the same name, the hour-long project includes snippets of dialogue that hint at the film’s apocalyptic subject matter. The fact that the soundtrack is preceding the actual film is part of Glover’s strategy: He wants listeners to work to figure out what they’re listening to. “The soundtrack forces the audience to participate in a way that I don't feel like most things force you to participate,” he says. “It forces you to have an imagination. I already see people being like, 'This is very cinematic, this must be the part that... This feels like a credit sequence.' A lot of stuff feels flat because it's not asking you to participate. Art used to be you had to participate on some level and have some sort of thought process on it. You can't just be like, 'Oh, this is mid.'” Even without the benefit of the full visuals, these 17 tracks make for a satisfying swan song that synthesizes what came before with fresher ideas gleaned from the threshold of finality

Heartbreaker” that “kicks down the door of this next musical chapter” (American Songwriter) and the title track, “Honkytonk Hollywood.” 2 LP set on forest green color vinyl. Limited Edition. Available at Indie Retailers.

CLEOPATRICK’s sophomore album, FAKE MOON, is a daring leap into new territory for the Cobourg Ontario-based post-rock duo. It’s a record spanning time, influence, and sound, blending lo-fi intimacy with grand, expansive production. For Luke Gruntz and Ian Fraser, this album represents more than just a sonic shift – it’s a bold solidification of their ever-developing creative identity. “It’s the most real thing we could have made,” Luke shares. “I wanted to do something beautiful. It’s a struggle between control and surrender, individuality and belonging. It’s where we are now.” Returning refreshed from a creative breather, after the rigorous post-pandemic touring of debut LP BUMMER, the newest record on their own ‘Nowhere Special Recordings’ is a captivating collision of lo-fi grit, quiet introspection, and overt existentialism. Anchored in refusal of conformity, and captured with what can only be described as the audio equivalent to Playstation 1 graphics FAKE MOON navigates power, vulnerability, and the complexities of individual identity with both rawness and precision. Take ‘HEAT DEATH,’ a visceral opener born out of a corrupted demo session that required a painstaking, stem-by-stem rescue operation that Luke describes as “The will of a technocracy foiled by two humble men.” The song channels its own chaotic origins into a sovereign anthem of defiance, daring a universal authority to “take it from me, man.” FAKE MOON is CLEOPATRICK at their most adventurous. Look overhead and perhaps you’ll spot the orbiting influences of Radiohead’s experimental brilliance, the grounded surrealism of Dijon’s Absolutely, or the raw intimacy of favourites since highschool, Califone. “We’re just trusting our creative compass,” they say. “I actually tried to write BUMMER 2 at first – but it immediately felt as if I was putting on the costume of a 23 year old me. It wasn't coming out honest.” When it came to recording, the pair slowed the process and expanded their crew for the first time. Theyenlisted respected guitarist and multi-instrumentalist Mike Haldeman and the expertise of producer Philip Weinrobe (Adrianne Lenker/Hand Habits/Tomberlin). Hunkered down in Weinrobe’s Brooklyn studio, together they shaped the sound from an “as long as it feels good, it sounds good” approach, where the angular recordings from the pair’s instinctive style of throwing up mics and tracking on whatever device was closest formed its foundations. The lyrics on FAKE MOON are as textured and evocative as the album’s sonics, weaving narratives that feel simultaneously intimate and universal, radiating a tension between fragility and defiance, conspiracy and truth. “BAD GUY” wrestles with guilt, while “HAMMER,” written in a parked car during a Toronto heatwave, explores surrendering to authority for a fleeting sense of certainty. “SARAH” digs into the romance of collective identity, while “PLEASE” reflects on the magnetic pull of groupthink, with its robo-folk soundscape eventually degrading into a somber puddle of digital slush. The concepts and characters on FAKE MOON often manifest as something liminal and nonlinear – like snapshots of emotions or thoughts mid-process. “SOFTDRIVE” takes this even further, as the sprawling instrumental is pieced together from years of recovered demos, videos, and voice notes off a once-busted college hard drive. The result of which is a swirling audio collage that somehow possesses both the intensity of a space shuttle launch and the frictionless peace of a near earth orbit – mirroring the duality of the record itself. Nominated for Canada’s 2022 JUNO as “Breakthrough Group of the Year,” CLEOPATRICK have amassed over 100 million streams alongside multiple sell-out tours in the US, UK, and EU, performed at festivals Lollapalooza, Austin City Limits, and Reading/Leeds, and supported Royal Blood on their US tour. With FAKE MOON, the duo ventures deeper inward, crafting a record that reasserts their artistic ability while holding true to themselves. “This album is one of the clearest steps forward we’ve ever taken,” they say. “We’re immensely proud of it, and we can’t wait to share it with everyone.

Written and recorded over 20 days, ‘Who Believes In Angels?' is a collaborative studio album between Elton John and Brandi Carlile. It mixes Elton-led songs and Brandi-led songs, with long term collaborator Bernie Taupin and Brandi both contributing lyrics, and producer and co-writer Andrew Watt acting as the producer, mediator and creative conduit. They are backed by a world class band of musicians comprising of Chad Smith, Pino Palladino and Josh Klinghoffer.

2004 Album Reimagined as Originally Intended on Black Vinyl 2LP! Features Resequenced Audio, 3 Additional Tracks, 4 Remixes & Updated Vocals! In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. - The Complete Dirty South is a band-led rework of the original album. Principal member Patterson Hood took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals.

Ariana Grande - eternal sunshine deluxe: brighter days ahead - Vinyl 2 LP

eternal sunshine deluxe: brighter days ahead - with nine bonus tracks, including six new songs. 2 LP translucent marble vinyl, gatefold jacket, 24-page booklet featuring lyrics and new photos.

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

"Fortnite Remix Chapter 2" - Various Artists [Blue LP] A Fortnite compilation vinyl featuring all 4 artists tied to the Fortnite Chapter 2 Remix - Snoop Dogg, Eminem, Ice Spice, and Juice WRLD. The vinyl will feature 2 songs from each artist. Limited Edition.

The highly anticipated final Juice WRLD album has arrived. The Party Never Ends as Juice rounds out his legacy with a final gift. The Party Never Ends finds Juice diving down different alleyways of his colorful, complex psyche. With features from Eminem, Fall Out Boy, Nicki Minaj, Offset, The Kid LAROI, and production from benny blanco, Nick Mira, and Cashmere Cat among many more collaborators, the posthumous set is a fitting celebration of a once-in-a-generation artist. See the tracklist below.

Bob Mould - "Here We Go Crazy" [Multicolor Smush LP] Alt-rock legend Bob Mould returns with his new album, Here We Go Crazy. The former frontman of Hüsker Dü and Sugar delivers 11 slices of anthemic, emotional driving alternative rock. Featuring singles "Here We Go Crazy," "When Your Heart Is Broken," and "Breathing Room," the album finds Bob in top form. Available on multicolor smush vinyl. Limited Edition. Indie Exclusive.

New album on Cloudy Black Ice Colored Vinyl. New York Hardcore band Combust take you into the Belly of the Beast on their new album set for release through Triple B Records in March 2025. Marking the band's second album and fourth release, Belly of the Beast is 100% pure hardcore. Recorded with Zach Miller at Landmine Studios, the twelve tracks bounce through unique grooves, menacing riffs, and a tough vocal delivery. The guest heavy record showcases community within the hardcore scene and beyond, with features from members of Terror, Mindforce, Crown Of Thornz, Dmize, Imposter, and rapper Rome Streetz.

Indie/D2C Exclusive Recycled Clear Vinyl Oceanside Countryside is the latest of Neil Young's great “lost” albums to be released as part of his Analog Original Series. The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country/folk sound, and three songs (“Goin’ Back”, “Human Highway” and “Field of Opportunity”) appear on both albums. The vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released. Recorded on tape, these are the original mixes done at the time of recording. All the songs on “Oceanside” are performed solo by Neil Young. On “Countryside,” Young is joined by a band of his friends: Ben Keith (Steel Guitar), Rufus Thibodeaux (fiddle), Karl T. Himmel (drums), Joe Osborne (bass). On “The Old Homestead” Tim Drummond plays bass and Levon Helm plays drums. “Pocahontas” is Young solo. Please note that while the songs on Oceanside Countryside appear on Archives Vol.III, the versions are not always the same and the track list is the running order for the original Oceanside Countryside album. On this analog original vinyl release, the versions of “Lost in Space,” “Captain Kennedy” and “The Old Homestead” are from Hawks & Doves in 1980. “Sail Away”, “Goin’ Back”, “Human Highway”, “It Might Have Been”, and “Pocahontas” are the same versions as on Archives Vol. III  in digital. “Field of Opportunity” and “Dance Dance Dance” are the original versions that have Young on backing vocals instead of Nicolette Larson as they appeared on Archives Vol.III.

TRACKLIST: Side A: Oceanside 1.       Sail Away 2.       Lost in Space 3.       Captain Kennedy 4.       Goin’ Back 5.       Human Highway Side B: Countryside 1.       Field of Opportunity 2.       Dance Dance Dance 3.       The Old Homestead 4.       It Might Have Been 5.       Pocahontas

The beauty of The Devil Makes Three is the way they take an old-time musical genre and, by putting their own imprint on it, turn it into something that lives and breathes anew, passing the torch to a new generation, just as stateside rock fans learned about the likes of pioneers Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly from the first wave of British Invasion bands. With their latest album, Spirits, the band continues this tradition by incorporating their signature punk, folk and bluegrass sound along with country and singer-songwriter leanings. “That’s what we set out to do. We wanted to use these musical forms to talk about current issues,” explains Pete Bernhard. “We didn’t want to just sing about trains and mining and drinking. For myself, it didn’t seem relevant. Folk music should be about what’s happening now, just as it was when Woody Guthrie and Bob Dylan did it. Our music is not just a re-enactment of something old and dusty.” The song titles alone describe the band’s return to a stripped-down, drum-less sound and songs that reflect the ongoing struggle to survive amid the uncertainties of the current volatile climate: “Dark Gets the Best of You,” “Divide and Conquer,” “Ghost are Weak,” “Hard Times,” “I Love Doing Drugs,” “Poison Well” and “The Devil Wins.” The tracks were recorded at Dreamland, part of a converted church compound outside Woodstock in upstate New York which offered some haunted moments of its own, with plenty of spooky thunderstorms and lightning. “There’s definitely a theme of ghosts and death running through this album,” acknowledged Bernhard, who lost his mother, brother and closest childhood friend while making the record. “It also has a good amount of political material, a reflection on how divided people are these days, just trying to find common ground. Not being able to perform our music live led to some deep reflections.” The Devil Makes Three have a very loyal, dedicated and diverse fan base that wouldn't necessarily spend much time together. With Spirits the band hope to continue to bring together all sides to listen to the band's take on personal hardships as well as shared struggles.

Hailing from northeast England, Fender is a British songwriter with a penchant for euphoric, hard-hitting guitar anthems. Bursting onto the scene with a BRITs Critics’ Choice win in 2018, his first two albums, Hypersonic Missiles (2019) and Seventeen Going Under (2021), both debuted at Number 1 on the UK’s Official Albums Chart and earned Platinum status. With over two billion global streams, Fender has headlined stadiums in Newcastle, toured arenas across the UK and Ireland, and headlined at major festivals like Reading/Leeds, while also supporting icons like The Rolling Stones and Bruce Springsteen. If Seventeen Going Under – Fender’s sophomore album and second to debut at Number 1 on the UK’s Official Albums Chart – was his “coming of age” album, his forthcoming work is his next step – colorful stories and observations of everyday characters living their everyday, but often extraordinary, lives. Sam produced People Watching alongside bandmates Dean Thompson and Joe Atkinson over two years, working first in London in 2023 with producer Markus Dravs, and then earlier this year in Los Angeles with Granduciel. See below for track listing.

Sunny War, also known as Sydney Ward, found inspiration for her latest album Armageddon In A Summer Dress while living in her late father's 100-year-old house in Chattanooga, TN. She initially thought the house was haunted. Eerie sounds and visions led her to write the song "Ghosts." However, she later discovered that hallucinations were caused by gas leaks, shifting her understanding of those experiences but not her artistic focus. Armageddon In A Summer Dress explores themes of memory, loss, and the ghosts of past selves. After the success of her 2022 album, Anarchist Gospel, Sunny spent more time touring with artists like Bonnie Raitt and Mitski. To avoid falling back into past struggles with alcohol, she channeled her energy into music, crafting intricate demos and experimenting with sound. This process involved shifting from acoustic to electric guitar, aiming for a fuller band sound. Tracks like "One Way Train" and "No One Calls Me Baby" highlight her blend of punk and roots influences, emphasizing the rebellious spirit shared by both genres. A notable collaboration on the album is with Steve Ignorant from Crass, whose participation in "Walking Contradiction" reflects Sunny's admiration for the band and its critique of modern society. Armageddon in a Summer Dress serves as a reflection on identity and choices, balancing heavy themes with empowerment. Sunny War encourages listeners to live authentically and resist societal pressures. Committed to continual growth, she sees every performance and song as an opportunity for exploration. Through her music, Sunny War captures the complexities of life, loss, and the transformative power of creativity.

Irish rock band The Murder Capital Return with their third studio album, Blindness, recorded in Los Angeles earlier this year with producer John Congelton (St Vincent, Angel Olsen, Sharon Van Etten) and featuring the recently released single ‘Can’t Pretend To Know’ and coming single ‘Words Lost Meaning’. Blindness is the vividly realised, clear-sightedly ambitious new album from The Murder Capital. A record that’s both momentous and charged with momentum. That’s intimate and simultaneously expansive. Eleven songs that don’t hang about in terms of grabbing the listener.