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Formats and Editions
1. * Bach, J S: Capriccio Sopra la Lontananza de Il Fratro Dilettissimo, BWV 992
2. I. Ist Eine Schmeichelung Der Freunde, Um Denselben Von Der Reise Abzuhalten. Arioso. Adagio
3. II. Ist Eine Vorstellung Unterschiedlicher Casuum, Die Ihm Der Fremde Könnten Vorfallen
4. III. Ist Ein Allgemeines Lamento Der Freunde. Adagissimo
5. IV. Allhier Kommen Die Freunde, Weil Sie Doch Sehen, Dass Es Anders Nicht Kann Sein, Und Nehmen Abschied
6. V. Aria Di Postiglione. Adagio Poco
7. VI. Fugue All'imitatione Della Cornetta Di Postiglione
8. * Bach, J S: Two-Part Inventions Nos. 1-15, BWV772-786
9. No. 1 in C Major, BWV 772
10. No. 2 in C minor, BWV 773
11. No. 3 in D Major, BWV 774
12. No. 4 in D minor, BWV 775
13. No. 5 in E-Flat Major, BWV 776
14. No. 6 in E Major, BWV 777
15. No. 7 in E minor, BWV 778
16. No. 8 in F Major, BWV 779
17. No. 9 in F minor, BWV 780
18. No. 10 in G Major, BWV 781
19. No. 11 in G minor, BWV 782
20. No. 12 No. 12 in a Major, BWV 783
21. No. 13 in a Minor, BWV 784
22. No. 14 in B-Flat Major, BWV 785
23. No. 15 in B minor, BWV 786
24. * Bach, J S: Duets Nos. 1-4, BWV802-805
25. No. 1 in E minor, BWV 802
26. No. 2 in F Major, BWV 803
27. No. 3 in G Major, BWV 804
28. No. 4 in a Minor, BWV 805
29. * Excerpt,? Bach, J S: Musical Offering, BWV1079
30. Ricercar a 3
31. * Bach, J S: Three-Part Inventions (Sinfonias) Nos. 1-15, BWV787-801
32. No. 1 in C Major, BWV 787
33. No. 2 in C minor, BWV 788
34. No. 3 in D Major, BWV 789
35. No. 4 in D minor, BWV 790
36. No. 5 in E-Flat Major, BWV 791
37. No. 6 in E Major, BWV 792
38. No. 7 in E minor, BWV 793
39. No. 8 in F Major, BWV 794
40. No. 9 in F minor, BWV 795
41. No. 10 in G Major, BWV 796
42. No. 11 in G minor, BWV 797
43. No. 12 in a Major, BWV 798
44. No. 13 in a Minor, BWV 799
45. No. 14 in B-Flat Major, BWV 800
46. No. 15 in B minor, BWV 801
47. * Bach, J S: Chromatic Fantasia and Fugue, BWV 903
48. I. Fantasia
49. II. Fugue
More Info:
Andras Schiff / J.S. BACH: CLAVICHORD - After his landmark recording of some of Johann Sebastian Bach's most important keyboard music, one of the great Bach interpreters of our time turns his attention to the composer's preferred instrument. The sound of the clavichord is, says Andr s Schiff, an invitation into "a new world, a quiet oasis in our noisy, troubled times. Thanks to the clavichord I now play and hear Bach differently." An intimate and personal instrument - "a most gentle creature, ideal for playing alone".
